Devanagari
स्निग्धप्रावृड्घनश्यामं सर्वसौन्दर्यसङ्ग्रहम् ।
चार्वायतचतुर्बाहु सुजातरुचिराननम् ॥ ४५ ॥
पद्मकोशपलाशाक्षं सुन्दरभ्रु सुनासिकम् ।
सुद्विजं सुकपोलास्यं समकर्णविभूषणम् ॥ ४६ ॥
Verse text
snigdha-prāvṛḍ-ghana-śyāmaṁ
sarva-saundarya-saṅgraham
cārv-āyata-catur-bāhu
sujāta-rucirānanam
padma-kośa-palāśākṣaṁ
sundara-bhru sunāsikam
sudvijaṁ sukapolāsyaṁ
sama-karṇa-vibhūṣaṇam
Synonyms
snigdha
—
glistening
;
prāvṛṭ
—
rainy season
;
ghana
—
śyāmam — densely cloudy
;
sarva
—
all
;
saundarya
—
beauty
;
saṅgraham
—
collection
;
cāru
—
beautiful
;
āyata
—
bodily feature
;
catuḥ
—
bāhu — unto the four-armed
;
su
—
jāta — ultimately beautiful
;
rucira
—
very pleasing
;
ānanam
—
face
;
padma
—
kośa — the whorl of the lotus flower
;
palāśa
—
petals
;
akṣam
—
eyes
;
sundara
—
beautiful
;
bhru
—
eyebrows
;
su
—
nāsikam — raised nose
;
su
—
dvijam — beautiful teeth
;
su
—
kapola — beautiful forehead
;
āsyam
—
face
;
sama
—
karṇa — equally beautiful ears
;
vibhūṣaṇam
—
fully decorated .
Translation
The Lord’s beauty resembles a dark cloud during the rainy season. As the rainfall glistens, His bodily features also glisten. Indeed, He is the sum total of all beauty. The Lord has four arms and an exquisitely beautiful face with eyes like lotus petals, a beautiful highly raised nose, a mind-attracting smile, a beautiful forehead and equally beautiful and fully decorated ears.
Translation (Visvanatha Cakravarti Thakura)
He shines, dark like a rain cloud, the sum of all beauty, with four long arms and noble, attractive face. He has lotus eyes, graceful brows and nose, fine teeth and forehead, and well-proportioned ears.
Sneha means affectionate, generating affection, glossy. The form is like a rain cloud, showering rasa, giving relief from suffering and given joy to the mind which is like a cātaka bird drinking the rain. Prāvṛṭ can also mean “that which showers profusely what the devotee desires.” (prakṣena varṣati manoratham) The form is very deep (ghana) black. In him there is the combination (saṅgraham) of the beauty of all material and spiritual objects. Or he is completely attractive by his beauty. There is no comparison with his beauty. Or all beauty accepts him as most attractive. All beauty feels successful in being accepted by him. Catur-bāhu can mean that he has arms extended in the four directions. This form is for worshippers of Padmanābha (Garbhodakaśāyī). It can mean he has four arms. This is for the worshippers in Vaikuṇṭha. Or it can mean that he has four arms for serving his lovers. This is for worshippers of Kṛṣṇa. His face is beautiful like a fine (sujāta) lotus. His eyes are like the soft petals within a lotus.
Purport
After the scorching heat of the summer season, it is very pleasing to see dark clouds in the sky. As confirmed in
Brahma-saṁhitā,
barhāvataṁsam asitāmbuda-sundarāṅgam:
the Lord wears a peacock feather in His hair, and His bodily complexion is just like a blackish cloud. The word
sundara,
or
snigdha,
means “very pleasing.”
Kandarpa-koṭi-kamanīya:
Kṛṣṇa’s beauty is so pleasing that not even millions upon millions of Cupids can compare to it. The Lord’s form as Viṣṇu is decorated in all opulence; therefore Lord Śiva is trying to see that most opulent form of Nārāyaṇa, or Viṣṇu. Generally the worship of the Lord begins with the worship of Nārāyaṇa, or Viṣṇu, whereas the worship of Lord Kṛṣṇa and Rādhā is most confidential. Lord Nārāyaṇa is worshipable by the
pāṣcarātrika-vidhi,
or regulative principles, whereas Lord Kṛṣṇa is worshipable by the
bhāgavata-vidhi.
No one can worship the Lord in the
bhāgavata-vidhi
without going through the regulations of the
pāṣcarātrika-vidhi.
Actually, neophyte devotees worship the Lord according to the
pāṣcarātrika-vidhi,
or the regulative principles enjoined in the
Nārada-paṣcarātra.
Rādhā-Kṛṣṇa cannot be approached by the neophyte devotees; therefore temple worship according to regulative principles is offered to Lakṣmī-Nārāyaṇa. Although there may be a Rādhā-Kṛṣṇa
vigraha,
or form, the worship of the neophyte devotees is acceptable as Lakṣmī-Nārāyaṇa worship. Worship according to the
pāṣcarātrika-vidhi
is called
vidhi-mārga,
and worship according to the
bhāgavata-vidhi
principles is called
rāga-mārga.
The principles of
rāga-mārga
are especially meant for devotees who are elevated to the Vṛndāvana platform.
The inhabitants of Vṛndāvana — the
gopīs,
mother Yaśodā, Nanda Mahārāja, the cowherd boys, the cows and everyone else — are actually on the
rāga-mārga
or
bhāgavata-mārga
platform. They participate in five basic
rasas
—
dāsya, sakhya, vātsalya, mādhurya
and
śānta.
But although these five
rasas
are found in the
bhāgavata-mārga,
the
bhāgavata-mārga
is especially meant for
vātsalya
and
mādhurya,
or parental and conjugal relationships. Yet there is the
vipralambha-sakhya,
the higher fraternal worship of the Lord especially enjoyed by the cowherd boys. Although there is friendship between Kṛṣṇa and the cowherd boys, this friendship is different from the
aiśvarya
friendship between Kṛṣṇa and Arjuna. When Arjuna saw the
viśva-rūpa,
the gigantic universal form of the Lord, he was afraid for having treated Kṛṣṇa as an ordinary friend; therefore he begged Kṛṣṇa’s pardon. However, the cowherd boys who are friends of Kṛṣṇa in Vṛndāvana sometimes ride on the shoulders of Kṛṣṇa. They treat Kṛṣṇa equally, just as they treat one another, and they are never afraid of Him, nor do they ever beg His pardon. Thus in the
rāga-mārga,
or
bhāgavata-mārga,
friendship exists on a higher platform with Kṛṣṇa, namely the platform of
viśrambha
friendship. Parental friendship, parental service and conjugal service are visible in the Vṛndāvana
rāga-mārga
relationships.
Without serving Kṛṣṇa according to the
vidhi-mārga
regulative principles of the
pāṣcarātrika-vidhi,
unscrupulous persons want to jump immediately to the
rāga-mārga
principles. Such persons are called
sahajiyā.
There are also demons who enjoy depicting Kṛṣṇa and His pastimes with the
gopīs,
taking advantage of Kṛṣṇa by their licentious character. These demons who print books and write lyrics on the
rāga-mārga
principles are surely on the way to hell. Unfortunately, they lead others down with them. Devotees in Kṛṣṇa consciousness should be very careful to avoid such demons. One should strictly follow the
vidhi-mārga
regulative principles in the worship of Lakṣmī-Nārāyaṇa, although the Lord is present in the temple as Rādhā-Kṛṣṇa. Rādhā-Kṛṣṇa includes Lakṣmī-Nārāyaṇa; therefore when one worships the Lord according to the regulative principles, the Lord accepts the service in the role of Lakṣmī-Nārāyaṇa. In
The Nectar of Devotion
full instructions are given about the
vidhi-mārga
worship of Rādhā-Kṛṣṇa, or Lakṣmī-Nārāyaṇa. Although there are sixty-four kinds of offenses one can commit in
vidhi-mārga
worship, in
rāga-mārga
worship there is no consideration of such offenses because the devotees on that platform are very much elevated, and there is no question of offense. But if we do not follow the regulative principles on the
vidhi-mārga
platform and keep our eyes trained to spot offenses, we will not make progress.
In his description of Kṛṣṇa’s beauty, Lord Śiva uses the words
cārvāyata-catur-bāhu sujāta-rucirānanam,
indicating the beautiful four-armed form of Nārāyaṇa, or Viṣṇu. Those who worship Lord Kṛṣṇa describe Him as
sujāta-rucirānanam.
In the
viṣṇu-tattva
there are hundreds and thousands and millions of forms of the Supreme Lord, but of all these forms, the form of Kṛṣṇa is the most beautiful. Thus for those who worship Kṛṣṇa, the word
sujāta-rucirānanam
is used.
The four arms of Lord Viṣṇu have different purposes. The hands holding a lotus flower and conchshell are meant for the devotees, whereas the other two hands, holding a disc and mace, or club, are meant for the demons. Actually all of the Lord’s arms are auspicious, whether they are holding conchshells and flowers or clubs and discs. The demons killed by Lord Viṣṇu’s
cakra
disc and club are elevated to the spiritual world, just like the devotees who are protected by the hands holding the lotus flower and conchshell. However, the demons who are elevated to the spiritual world are situated in the impersonal Brahman effulgence, whereas the devotees are allowed to enter into the Vaikuṇṭha planets. Those who are devotees of Lord Kṛṣṇa are immediately elevated to the Goloka Vṛndāvana planet.
The Lord’s beauty is compared to rainfall because when the rain falls in the rainy season, it becomes more and more pleasing to the people. After the scorching heat of the summer season, the people enjoy the rainy season very much. Indeed, they even come out of their doors in the villages and enjoy the rainfall directly. Thus the Lord’s bodily features are compared to the clouds of the rainy season. The devotees enjoy the Lord’s beauty because it is a collection of all kinds of beauties. Therefore the word
sarva-saundarya-saṅgraham
is used. No one can say that the body of the Lord is wanting in beautiful parts. It is completely
pūrṇam.
Everything is complete — God’s creation, God’s beauty and God’s bodily features. All these are so complete that all one’s desires can become fully satisfied when one sees the beauty of the Lord. The word
sarva-saundarya
indicates that there are different types of beauties in the material and spiritual worlds and that the Lord contains all of them. Both materialists and spiritualists can enjoy the beauty of the Lord. Because the Supreme Lord attracts everyone, including demons and devotees, materialists and spiritualists, He is called Kṛṣṇa. Similarly, His devotees also attract everyone. As mentioned in the
Ṣaḍ-gosvāmī-stotra,
dhīrādhīra-jana-priyau:
the Gosvāmīs are equally dear to the
dhīra
(devotees) and
adhīra
(demons). Lord Kṛṣṇa was not very pleasing to the demons when He was present in Vṛndāvana, but the Six Gosvāmīs were pleasing to the demons when they were present in Vṛndāvana. That is the beauty of the Lord’s dealings with His devotees; sometimes the Lord gives more credit to His devotees than He takes for Himself. For instance, on the Battlefield of Kurukṣetra, Lord Kṛṣṇa fought simply by giving directions. Yet it was Arjuna who took the credit for fighting.
Nimitta-mātraṁ bhava savyasācin:
“You, O Savyasācī [Arjuna], can be but an instrument in the fight.” (
Bg. 11.33
) Everything was arranged by the Lord, but the credit of victory was given to Arjuna. Similarly, in the Kṛṣṇa consciousness movement, everything is happening according to the predictions of Lord Caitanya, but the credit goes to Lord Caitanya’s sincere servants. Thus the Lord is described herein as
sarva-saundarya-saṅgraham.